Carol (Film)

Carol (Film) Wo kann man diesen Film schauen?

Im New York der er Jahre träumt die junge Therese Belivet, die als Verkäuferin in einem großen Warenhaus arbeitet, von einem besseren Leben. Ein solches besseres Leben besitzt die wohlhabende Kundin Carol, die jedoch in ihrer Ehe mit Harge. Carol ist ein erschienener Spielfilm des Regisseurs Todd Haynes nach dem Roman Salz und sein Preis, den Patricia Highsmith unter dem Pseudonym. Das ist im Leben so und erst recht in Todd Haynes wundervollem Melodram Carol nach einer Romanvorlage von Patricia Highsmith. Die erste Begegnung findet. Carol ein Film von Todd Haynes mit Cate Blanchett, Rooney Mara. Inhaltsangabe: Therese (Rooney Mara) träumt von einem Job als Setdesignerin beim. 13 Userkritiken zum Film Carol von Todd Haynes mit Cate Blanchett, Rooney Mara, Kyle Chandler - endlessevents.co

Carol (Film)

Das ist im Leben so und erst recht in Todd Haynes wundervollem Melodram Carol nach einer Romanvorlage von Patricia Highsmith. Die erste Begegnung findet. Im New York der er Jahre träumt die junge Therese Belivet, die als Verkäuferin in einem großen Warenhaus arbeitet, von einem besseren Leben. Ein solches besseres Leben besitzt die wohlhabende Kundin Carol, die jedoch in ihrer Ehe mit Harge. Mehr zum Film. Die zweifache Oscar-Preisträgerin Cate Blanchett und Rooney Mara begeistern in dem eleganten Hollywood-.

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Crazy Credits. Alternate Versions. Rate This. An aspiring photographer develops an intimate relationship with an older woman in s New York.

Director: Todd Haynes. Writers: Phyllis Nagy screenplay , Patricia Highsmith novel. Added to Watchlist. From metacritic.

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You must be a registered user to use the IMDb rating plugin. Nominated for 6 Oscars. Edit Cast Cast overview, first billed only: Cate Blanchett Carol Aird Rooney Mara Therese Belivet Kyle Chandler Harge Aird Sarah Paulson Abby Gerhard Jake Lacy Richard Semco John Magaro Tommy Tucker Kevin Crowley Fred Haymes Nik Pajic Phil McElroy Carrie Brownstein Genevieve Cantrell Trent Rowland Jack Taft Sadie Heim Rindy Aird Kk Heim Jennifer Aird Michael Haney Learn more More Like This.

Blue Is the Warmest Colour Drama Romance. Blue Jasmine Interviews, making-of et extraits. Cannes - Salma Hayek sur le tapis rouge le 17 mai.

Acteurs et actrices. Cate Blanchett. Rooney Mara. Kyle Chandler. Sarah Paulson. Critiques Presse. Critiques Spectateurs. Seule la Lire plus.

Ici, on parle Secrets de tournage. La raison? Carol confronts Tucker, threatening him at gunpoint, but he claims to have already sent the tape recordings to Harge.

Carol and Therese turn back. The following day, in Chicago, Therese learns that Carol has flown home to fight for custody of her daughter, having asked Abby to drive Therese home.

Abby gives her a letter from Carol. Back at home, Therese telephones Carol, but knowing that she risks losing custody of Rindy if she continues her relationship with Therese, Carol hangs up.

Therese creates a portfolio of her photographs and gets a job at The New York Times. In the meantime, Carol has been seeing a psychotherapist as a condition of the divorce settlement.

During a confrontational meeting in mid-April with divorce lawyers, Carol suddenly admits to the truth of what the tapes contain, and refuses to deny her sexuality.

To avoid going to court and the likelihood of a public scandal, she tells Harge that he can have custody of Rindy but insists on regular visitation.

Carol writes to Therese, and they meet in the lounge of the Ritz Tower Hotel. Carol reveals she is going to work for a furniture house, and has taken an apartment on Madison Avenue.

Therese declines Carol's invitation to live with her. Carol tells Therese that she is meeting associates in the Oak Room , and that if she changes her mind they can have dinner.

Therese remains still and Carol whispers "I love you. Therese accepts Jack's ride to a party, but finds that she cannot connect with anyone.

Therese heads to the Oak Room. She scans the diners and sees Carol at a table. Therese hesitates, before walking towards Carol. Their eyes meet.

Carol gazes at Therese with a smile that slowly grows. In , Highsmith agreed to republish with Bloomsbury Publishing under her own name, and retitled it Carol.

Senn Kathleen Wiggins Senn , whilst she was working as a Christmas season salesgirl at the toy department of Bloomingdale's in New York.

That evening she wrote an eight-page outline, which she developed some weeks later and had completed by London-born, New York-based producer Dorothy Berwin was initially attached to the project in , owning the rights to the novel.

She enlisted then-playwright Phyllis Nagy to write the screenplay on the recommendation of her London agent. While searching for investors, Nagy and Berwin learned that the homosexuality of the characters was not as much of an obstacle as was that they were women.

You needed to always start with her role". In fact it insists on not being that in order to make the point.

I would talk about that with financiers, and I could see them glaze over. Nagy said it was important that the screenplay be authentic to the early s.

It could not be corrupted by an impulse to indulge in any number of dramatic narrative cliches about guilt concerning one's sexuality or the like.

Nagy set the adaptation several years later than when the novel is set, so that "the dawn of the Eisenhower administration and the rise of HUAC could be front and center".

She's a ghost appropriately, as she should be, in the novel", adding that she was "overwhelmed by the task of trying to come up with the visual equivalent for it structurally.

She made Therese a photographer instead of a set designer, allowing her "to be seen moving from objects to people", which she likened to Highsmith as Therese is a "clear stand-in" for the author.

Nagy realized she would "pass time in a different way" to the novel, eliminating elements that were unnecessary and slowed down the story.

She had "great freedom" developing the screenplay in England, while no studio or director was attached. Over the years, five "proper" drafts materialized.

We both have an interest in restraint. At the London Film Festival , Nagy said she had titled the film Carol , and not The Price of Salt , because Highsmith herself had changed the title to Carol when the novel was republished, and she also "liked the sort of strange, obsessive nature of calling it by someone's name.

That is what transcends the class of love, or the period in which it's occurring, and makes it something that just humbles us all and levels us all.

British producer Elizabeth Karlsen of Number 9 Films came across Nagy's script in around , when she was co-producing Mrs. They then decided to approach Haynes.

Vachon, Haynes's frequent collaborator, asked if he would be interested, and he received a copy of the screenplay. Two days later he committed to direct, and Vachon joined as a producer.

Haynes had first heard about the film in , from costume designer Sandy Powell , who informed him that Blanchett was attached and that Karlsen was producing.

Blanchett, who served as an executive producer through her company Dirty Films, [40] had been involved with the project for "a long time".

He regarded the story, its historical and social context, and collaborating again with Blanchett, as motivations to get involved.

Another complication emerged when Wasikowska had to drop out because of a scheduling conflict. She said that although she loved the script and wanted to work with Blanchett, she had turned it down as she felt exhausted and unconfident.

By the time Haynes came on board she was "in a much different head space" and signing on was then "a no brainer".

In rehearsal, Haynes, Blanchett and Mara realized that certain lines should be cut, which Haynes deemed the "stylistic practice that we all took throughout the creative departments.

I feel there was an understanding with them that words and dialogue were never carrying the weight of the story.

He starts with a look book of images that he's compiled over the months and months. He's almost OCD about it.

In a good way. Haynes used their works as a visual reference for depicting a "dirty and sagging" New York. In preparing for filming, the producers found that the cost of production in the New York City area would be prohibitive, and it was also going to be difficult to find locations there that resembled the early s.

Part of the financing plan hinged upon a co-production deal with Canada, with filming taking place in Montreal, but Haynes joining the production led to a rethink.

Karlsen recalled making a film 27 years earlier in Cincinnati , Ohio , that was set in s New York. After researching the city, she found that it had not changed much in decades, with Ohio also having one of the best film tax incentives in the U.

The city of Cincinnati was very accommodating to the production, which employed many locals as crew.

In December , it was announced that Carol would be filmed in Cincinnati, Ohio, and that production offices would open in early January , with filming expected between mid-March and May.

Post-production in New York took seven months to complete. Visual effects VFX were used to remove modern components from backgrounds, with six "key shots" needing extensive VFX.

Moving shots were particularly complicated when they were filtered through windows, rain, dust, and other elements, said Haynes, and the CGI details "had to fit exactly into the vernacular itself, with the grain element and level of distress.

The producers gave notes on the director's cut, and held some test screenings with friends and acquaintances. They decided to show the cut to Harvey Weinstein , who was impressed and endorsed it.

Haynes confirmed the completion of deliverables on December 15, It was just a paring-down process, which all movies do. Carol had its world premiere at the Cannes Film Festival.

Originally scheduled for a December 18 release in the United States, Carol opened in limited release on November 20, Its CEO stated that it was "a huge challenge because of the federal 'gay propaganda' law that victimizes the Russian LGBT community", that "will prevent Carol [being] sold to major TV channels or even being advertised on federal networks".

He noted that "some cinemas will refuse to book the film", but "the controversy Carol was made available for digital download on March 4, Carol received a ten-minute standing ovation at its Cannes Film Festival international press screening and premiere.

Critics praised Haynes's direction, Blanchett's and Mara's performances, cinematography, costumes and musical score, and deemed it a strong contender for a Cannes award.

The website's critical consensus states: "Shaped by Todd Haynes' deft direction and powered by a strong cast led by Cate Blanchett and Rooney Mara, Carol lives up to its groundbreaking source material.

In this enjoyably deliberate film, each shot and scene is carefully composed to pay homage to 50s cinema, yet infused with an emotional ambiguity which feels decidedly contemporary.

This is filmmaking done by masters, an experience to savor. Scott wrote in The New York Times : "At once ardent and analytical, cerebral and swooning, 'Carol' is a study in human magnetism, in the physics and optics of eros.

With sparse dialogue and restrained drama, the film is a symphony of angles and glances, of colors and shadows.

It is a film composed of gestures and glances, its delicacy a veiled promise of abandon. And it could not exist without the extraordinary performances of Blanchett and Mara.

Geoffrey Macnab of The Independent said: "Todd Haynes's latest feature is a subtle, moving and deceptive story of two women brilliantly played in very contrasting styles by Cate Blanchett and Rooney Mara who refuse to live against 'their own grain' Phyllis Nagy's screenplay emphasises their steeliness and self-reliance.

In sly and subversive fashion, Haynes is laying bare the tensions in a society that refuses to acknowledge 'difference' of any sort.

Cinematographer Ed Lachman shot on Super 16 mm film to achieve era-specific muted colours and softer textures. Precise production design and a palette steeped in shades of green and red appropriate to the Yuletide setting make watching it seem like stepping inside an Edward Hopper painting.

From Phyllis Nagy's alluringly uncluttered script to Cate Blanchett's sturdily tremulous performance as a society woman with everything to lose, this brilliantly captures the thrills, tears and fears of forbidden love.

Writing for Variety , Justin Chang said: "despite their obvious differences in class and background, Therese and Carol seem to ease themselves and the audience so quickly and naturally into a bond that they have no interest in defining, or even really discussing—a choice that works not only for an era when their love dared not speak its name, but also for Haynes' faith in the power of the medium to achieve an eloquence beyond words.

As a period piece, the movie immerses us in s styles and attitudes. As a sensory experience, it dazzles with everything from rain-streaked windows to Therese's plaid tam-o-shanter Haynes powerfully addresses the consequences of ignorance and intolerance.

Impressively textured, the drama is filled with secret glances and other subtle aspects of forbidden love.

Working from a carefully crafted script by Phyllis Nagy, Haynes portrays two people thirstily drinking each other in, while on the outside, they sip tea and cocktails with prim decorum.

Blanchett, a dream walking in Sandy Powell's frocks, delivers a master class in acting. And Mara is flawless It's a human one.

In a series of articles regarding the best of the s in film , IndieWire ranked Carol as the seventh-best film of the decade; Cate Blanchett's performance of the titular character as the second-best acting performance; the opening scene as the sixth-best film scene; and Carter Burwell's score as the second-best film score.

Carol has received over industry and critic nominations, and over 90 awards and honours. It also creates its own unique cinematic language and pulls the viewer deeper and deeper into a world where something as simple as love comes at a staggering cost.

Its delicate and precise exploration of emotion through color and light led us to discuss what it meant to achieve mastery of our craft. CAROL sets the screen aglow with the light of longing as Cate Blanchett and Rooney Mara transform a period piece into a timeless cry from defiant hearts.

Todd Haynes serves their romance as a restorative cocktail, adding splashes of color to a repressive Eisenhower era, when love was often seen in black-and-white.

From luminous performances to sumptuous production, this is cinema's promise fulfilled—a haunting portrait in moving images, painted in the universal hues of heartache and passion.

In March , the British Film Institute named Carol the best LGBT film of all time, according to over one hundred film experts in a poll encompassing over eighty years of cinema.

Scott remarking, "It keeps taking me by surprise. The admiration of Carol resulted in a fandom community that has been referred to as the "Cult of Carol".

Club said that despite the film having been considered a "lock" for a Best Picture nomination, the omission "shouldn't have been a major shock" given the controversy over Brokeback Mountain 's loss a decade earlier.

At HitFix , Louis Virtel suggested that Academy members' reception of the film was hurt by its focus on self-determined women.

Snarker agreed that Carol may be too gay and too female "for the largely old white male voting base" to connect with. At The Advocate , Rebekah Allen argued that "there are those who simply do not want to see a lesbian love story on screen.

The omission from Best Picture, she concluded, illustrates "yet again how sexism operates in the world, and in the Academy specifically, as the refusal to see women as protagonists and agents of desire.

The Weinstein Company decided on the category placement to avoid the co-leads competing in the same category.

In January , ABC rejected a prime time commercial featuring a snippet of the nude scene between Carol and Therese, which caused The Weinstein Company to re-edit the television trailer.

From Wikipedia, the free encyclopedia. North American theatrical release poster. Number 9 Films [1] Film4 [1] Killer Films [1].

StudioCanal The Weinstein Company. United Kingdom [2] United States [2]. What still strikes me now [about the novel], is how radical it was in terms of its overall conception—two central figures not giving a rat's ass about sexual identity.

No one frets about being gay; others fret on their behalf I also found Highsmith's notions of what makes a good mother to be quite radical—the choices that people have to make in order to make the lives of their children better seemed really fresh, and radical.

And still do, to this day, actually. Main article: Carol soundtrack. Main article: List of accolades received by Carol film.

And it made a real direct impact on some changes in the structure of the story. So we repeat that same structure in Brief Encounter that begins and ends with the same scene.

The difference is that in Brief Encounter you realize that this is Celia Johnson's story. She goes home and begins to recount this experience to her husband.

And you come full circle and then you realize what that conversation that was interrupted in the beginning of the film meant.

And in this case we do the same thing, but you also shift point of views by the end of Carol , so by the time we come back, it's no longer Therese that's in the vulnerable position, but Carol.

It wasn't possible. So I just waited and waited. It took a good 10 years before the rights were free. The film was pre-sold to them at Cannes five years ago, nearly two years before we finally went into production.

One of the non negotiable terms of the distribution agreement, which was a standard term for TWC and Miramax distribution agreements, was an Executive Producer credit for Harvey Weinstein.

Indeed, EP credits for financiers, sales agents and distributors in key territories is industry standard.

He was NOT a producer on the film. Neither he nor TWC were involved in the development of the film nor had any script, editorial, casting or other type of creative involvement in the film whatsoever.

They acted solely as distributors. Had we had an offer equal to or greater than the TWC offer for US distribution rights we would have taken it, but we didn't.

This is a frequent and frustrating misrepresentation of Harvey Weinstein and his role—he was a distributor, who stole the producing credit as well as the financial rewards from the actual producers who sourced, developed, filmed and fully created the work as we did with CAROL.

He simply released and distributed it into cinemas. At one time he headed a great distribution company. American Film Institute. Retrieved December 3, British Film Institute.

The Hollywood Reporter. Retrieved September 27, The Numbers. Nash Information Services. Archived from the original on December 22, Retrieved May 21, New York.

Retrieved February 1,

Carol (Film) Cate Blanchett und Rooney Mara erleben im Film "Carol" den Skandal der Leidenschaft zwischen Frauen. Mehr zum Film. Die zweifache Oscar-Preisträgerin Cate Blanchett und Rooney Mara begeistern in dem eleganten Hollywood-. Carol und Therese, zwei Frauen, die sich im Film im einem Restaurant begegnen - am Beginn und (fast) am Ende. Wie ein Kreis, wie die Ankündigung ihrer. Beide Deeds Deutsch eng aneinander geschmiegt. Aber sie wirken eher wie Schaufensterpuppen, steif und künstlich. Was die beiden gemeinsam an Ausstrahlung zeigen, ist vielleicht unschlagbar. Der Soundtrack wurde am Ihre Arme und Körper sind verschlungen, die Augen ineinander versunken. Wo Zoomania Film man diesen Film schauen? Sarah Paulson. No one frets about being gay; others fret on their behalf March 10, Carol calls to apologize and they meet at Therese's apartment, where Carol surprises her with a suitcase containing a gift of a Canon camera and film. Therese's boyfriend, Richard, wants her to go Grimm Staffel 5 Online Stream consider France with him, hoping they will marry, but she is ambivalent about read article relationship.

Carol (Film) Inhaltsverzeichnis

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